Warrior in Bronze, a masterful recreation of ancient Grecian times

Warrior in Bronze is a historical fiction by George Shipway set in ancient Greece immediately prior to the Trojan War made famous in the Iliad. It’s told in first person by Agamemnon, starting when he’s a young boy and ending soon after he becomes King of Mycenae. You may recall that Agamemnon is the Greek leader against the Trojans. That story is the subject of a sequel by Shipway, The King in Splendour.

I enjoyed learning of these brutal, yet interesting, times through the eyes of Agamemnon: first as a young lad, then a youth thrust too soon into a man’s role, and finally a king. Shipway captures the military and domestic sides of ancient Greece, as well as the spirit of the times. Greek mythology suffuses the book, so true to the mythology of Agamemnon and his father Atreus, you should be prepared for incest, cannibalism, rape, treachery, and savage brutality.Agamemnon, at least when he’s young and trying desperately to escape a violent death himself, is as horrified by all these as much as we are. As he grows up, the reader is likely to become less sympathetic to Agamemnon, as he becomes more willing to use murder and treachery to obtain what he wants.

What I especially found fascinating was the way Shipway took the Greek mythology tales of gods and heros, and had Agamemnon tell how these events all happened in real life with real people. So Hercules, a brutish thug in this book, wanders in and out of the story several times and the truth of Zeus and the other Greek gods is revealed, to name two instances.

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NaNoWriMo and tearing words out and rewriting them

While many writers are working furiously to meet their word count goals for NaNoWriMo, I continue to plug away at Mindfield. NaNoWriMo for the uninitiated is where writers vow to complete at least a 50,000 word draft novella in the month of November. That means a very ambitious 1667 words per day. Good luck all NaNoWriMo writers.

Mindfield is nearing the completion of its second draft. When editing I attempt to still do a net 500 words per day, and usually I can do it. Yesterday was very productive…but I did a net minus 200 words for the day. That was despite writing well over a thousand new words. I hate tearing out decent existing writing, but it was for the best. This is one of the climactic chapters and the original version didn’t have enough tension. It does now. Today I did a more normal net addition of 500 words. Now on to the final chapters.

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New (for me) Editing Technique Pays Off

clip art of pen

The final final copy editing of a book is my least favorite part of publishing. No matter how many times I go over, my wife goes over, and fellow writers go over a manuscript, little typos, mostly dropped words, leak into the final product until they’re finally laboriously bludgeoned out.

BUT NOW THERE IS HOPE. Several months ago, someone in a writing group mentioned having my Kindle read my manuscript back to me. Yesterday, after a few misfires, I uploaded Magellan’s Navigator to my Kindle and started listening. I wouldn’t want to experience a book this way. The Kindle runs together sentences and uses no inflection, but for editing this technique WORKS! I’m finding minor typos that eluded myself and three other editors. In a day or two, this edit will be done and I graduate to other fun things, like writing a query letter and summary.

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Indie Authors Get No Respect From the New York Times, Despite Kicking Ass in the Marketplace

How does the The New York Times come up titles for their articles? For example, how about: The Plot Twist: E-Book Sales Slip, and Print is Far From Dead.

Is the journalist actually stupid enough to believe their title or are they simply a shill for the traditional publishers? They canvased 1200 publishers, and discovered that e-book sales for them have stalled, while print is rising. Is that any surprise? The trad publishers are pricing some e-books higher than paperback these days. How does that make sense, other than to blatantly rip off the buying public?

The journalist completely ignores sales by Amazon and other e-tailers of indie writers in their so-called analysis. In fact, Author Earnings does an excellent analysis, which shows e-books sales continue to go up, and e-books, mostly written by indie authors, are dominating the romance, sci fi, and fantasy genres.

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A Summer of Reading and Writing

It’s been a productive summer for me of reading and writing. On the writing side, I’m nearing completion of the first quality draft of my sci fi book Mindfield after figuring out the final chapters while on vacation. The final proofing of my historical fiction Magellan’s Navigator is in process. Thanks to Laura Henson, Dave Mueller, and Kerry Stevens for their invaluable beta read of this manuscript. I’ll need covers for both these books and formatting both for ebook and paperback. Being an indie author isn’t easy. Equally exciting, I’m part of a newly formed group of serious writers meeting regularly for critiques.

I’ve done a lot of reading this summer, due in part to my discovery of the great deals on Bookbub. (I’ve had to restrain myself lately, as it’s easy to build up a backlog of books.) My favorite author of my summer reads is Lindsay Buroker. While on vacation, I finished her “boxed set” Forgotten Ages. This steampunk set consists of her Encrypted, Enigma, and Decrypted novels. These books have good characters, fast moving plots, and an intriguing world. Most of all, I liked her voice and her use of language. It’s much more alive than that of many authors. And, from her facebook page, it looks like she’s a fellow Vizsla owner!

Whether you’re a fantasy reader or a writer of any genre, I suggest you check out Ms. Buroker’s webpage at www.lindsayburoker.com.  She’s proof that a hardworking writer can make it as an indie writer, and her blog has lots of useful info on the secrets to her success.

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DOWNLOAD is on sale for 99 CENTS on Amazon

Russian hackers and stock market manipulation add up to murder for National Security Agency mathematician Adam.

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Another record and a little road block

I keyed 2,358 words yesterday on Mindfield, which makes for 15,225 words in the last fifteen days. Yeah! Both numbers are records for me. Even when I’m not sitting at my keyboard, electrifying dialogue and action sequences dance in my mind. Too bad they aren’t as electrifying when I get around to punching them into words. Nonetheless, writing a new book is an exciting experience for me.

I did have a few slow days where I barely logged a few hundred words. Writer’s block? You might call it that, but the problem was I had a good outline for the first two-thirds of the book, while the last third was sketchy. To a degree, this was unavoidable. More so than most space operas, Mindfield is about its protagonist’s self-discovery. I had to write the first two-thirds of the book to fully understand Cam and where he wanted to head. That done, the remainder of the book plotted out in quick order.writing clipart

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Record set for words written

Wrote 2,179 words today, which is a record for me. It was work, but I’m having a lot of fun writing Mindfield with its twist and turns.writing clipart

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Secondhand Lions: Caine, Duvall, and Haley Joel Osment

Secondhand Lions has great actors, a twisty story line, and a lion. What more can a person ask for? My wife and I watched this 2003 movie at the suggestion of a friend and thoroughly enjoyed it. Osment is dumped off by his mother with two old great uncles, who may be rich. At least the Mother and other relatives think so. Initially the uncles all but ignore poor Haley, who has bounced around relatives and orphanages all his life. When he runs away, first the uncle played by Caine, and then the enigmatic uncle played by Duvall, accept the responsibility to raise him. The Duvall uncle has a past that haunts him in his sleepwalking nights. But was he really in the French Foreign Legion, or was he a bank robber, or is all of it bunk? The main three actors give fantastic performances as Haley’s character goes from a castoff young fourteen-year-old to a confident young man.

Writers should watch the director’s commentary where he talks about the balance between exposition and pacing, and character transformations.

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How Writing Has Changed My Enjoyment of Reading

writing clipart

I find it less enjoyable reading most books since I’ve seriously been writing, although I appreciate the well-written book more than ever. For example, last night I started a space opera that’s a top ten-seller in its category on Amazon with good reviews. Clearly, lots of people like this book. However, several pages in the point-of-view character passes by a guard holding a rifle. For some reason, the author feels compelled to stop the whole story, and give us three sentences about the rifle. Now this data dump was small, and may be critical later in the story, but it wasn’t the thoughts of the pov character. It was just out-and-out author intrusion, which took me out of the story for a brief moment. I hate to be yanked out of a book like that.

In the author’s defense, weaving the technical stuff into a story isn’t easy. I was proud when a reviewer of my first book, Truth-Teller Rebellion, complimented me on the way I let the setting and Truth-teller world come out in the story, rather than giving it as a data dump.

I’ve found this even more challenging in Magellan’s Navigator, my historical fiction that is nearing completion. I believe a reader of Magellan’s Navigator will want to read about how sailing ships of the time worked and the circumnavigation of the world. I wanted to get that information into the story without slowing it down too much and without obvious author intrusion. It isn’t easy to do that. In the final analysis, that information isn’t the story, which is of the man, Francisco Albo, who piloted the one ship that made it around the world. The book is out with beta readers now. I hope they think I got the balance of story and historic content right.

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