Category Archives: Art and Craft of Writing

New (for me) Editing Technique Pays Off

clip art of pen

The final final copy editing of a book is my least favorite part of publishing. No matter how many times I go over, my wife goes over, and fellow writers go over a manuscript, little typos, mostly dropped words, leak into the final product until they’re finally laboriously bludgeoned out.

BUT NOW THERE IS HOPE. Several months ago, someone in a writing group mentioned having my Kindle read my manuscript back to me. Yesterday, after a few misfires, I uploaded Magellan’s Navigator to my Kindle and started listening. I wouldn’t want to experience a book this way. The Kindle runs together sentences and uses no inflection, but for editing this technique WORKS! I’m finding minor typos that eluded myself and three other editors. In a day or two, this edit will be done and I graduate to other fun things, like writing a query letter and summary.

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Indie Authors Get No Respect From the New York Times, Despite Kicking Ass in the Marketplace

How does the The New York Times come up titles for their articles? For example, how about: The Plot Twist: E-Book Sales Slip, and Print is Far From Dead.

http://www.nytimes.com/2015/09/23/business/media/the-plot-twist-e-book-sales-slip-and-print-is-far-from-dead.html?smid=fb-nytimes&smtyp=cur&_r=0

Is the journalist actually stupid enough to believe their title or are they simply a shill for the traditional publishers? They canvased 1200 publishers, and discovered that e-book sales for them have stalled, while print is rising. Is that any surprise? The trad publishers are pricing some e-books higher than paperback these days. How does that make sense, other than to blatantly rip off the buying public?

The journalist completely ignores sales by Amazon and other e-tailers of indie writers in their so-called analysis. In fact, Author Earnings does an excellent analysis, which shows e-books sales continue to go up, and e-books, mostly written by indie authors, are dominating the romance, sci fi, and fantasy genres.

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A Summer of Reading and Writing

It’s been a productive summer for me of reading and writing. On the writing side, I’m nearing completion of the first quality draft of my sci fi book Mindfield after figuring out the final chapters while on vacation. The final proofing of my historical fiction Magellan’s Navigator is in process. Thanks to Laura Henson, Dave Mueller, and Kerry Stevens for their invaluable beta read of this manuscript. I’ll need covers for both these books and formatting both for ebook and paperback. Being an indie author isn’t easy. Equally exciting, I’m part of a newly formed group of serious writers meeting regularly for critiques.

I’ve done a lot of reading this summer, due in part to my discovery of the great deals on Bookbub. (I’ve had to restrain myself lately, as it’s easy to build up a backlog of books.) My favorite author of my summer reads is Lindsay Buroker. While on vacation, I finished her “boxed set” Forgotten Ages. This steampunk set consists of her Encrypted, Enigma, and Decrypted novels. These books have good characters, fast moving plots, and an intriguing world. Most of all, I liked her voice and her use of language. It’s much more alive than that of many authors. And, from her facebook page, it looks like she’s a fellow Vizsla owner!

Whether you’re a fantasy reader or a writer of any genre, I suggest you check out Ms. Buroker’s webpage at www.lindsayburoker.com.  She’s proof that a hardworking writer can make it as an indie writer, and her blog has lots of useful info on the secrets to her success.

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Another record and a little road block

I keyed 2,358 words yesterday on Mindfield, which makes for 15,225 words in the last fifteen days. Yeah! Both numbers are records for me. Even when I’m not sitting at my keyboard, electrifying dialogue and action sequences dance in my mind. Too bad they aren’t as electrifying when I get around to punching them into words. Nonetheless, writing a new book is an exciting experience for me.

I did have a few slow days where I barely logged a few hundred words. Writer’s block? You might call it that, but the problem was I had a good outline for the first two-thirds of the book, while the last third was sketchy. To a degree, this was unavoidable. More so than most space operas, Mindfield is about its protagonist’s self-discovery. I had to write the first two-thirds of the book to fully understand Cam and where he wanted to head. That done, the remainder of the book plotted out in quick order.writing clipart

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Record set for words written

Wrote 2,179 words today, which is a record for me. It was work, but I’m having a lot of fun writing Mindfield with its twist and turns.writing clipart

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Secondhand Lions: Caine, Duvall, and Haley Joel Osment

Secondhand Lions has great actors, a twisty story line, and a lion. What more can a person ask for? My wife and I watched this 2003 movie at the suggestion of a friend and thoroughly enjoyed it. Osment is dumped off by his mother with two old great uncles, who may be rich. At least the Mother and other relatives think so. Initially the uncles all but ignore poor Haley, who has bounced around relatives and orphanages all his life. When he runs away, first the uncle played by Caine, and then the enigmatic uncle played by Duvall, accept the responsibility to raise him. The Duvall uncle has a past that haunts him in his sleepwalking nights. But was he really in the French Foreign Legion, or was he a bank robber, or is all of it bunk? The main three actors give fantastic performances as Haley’s character goes from a castoff young fourteen-year-old to a confident young man.

Writers should watch the director’s commentary where he talks about the balance between exposition and pacing, and character transformations.

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How Writing Has Changed My Enjoyment of Reading

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I find it less enjoyable reading most books since I’ve seriously been writing, although I appreciate the well-written book more than ever. For example, last night I started a space opera that’s a top ten-seller in its category on Amazon with good reviews. Clearly, lots of people like this book. However, several pages in the point-of-view character passes by a guard holding a rifle. For some reason, the author feels compelled to stop the whole story, and give us three sentences about the rifle. Now this data dump was small, and may be critical later in the story, but it wasn’t the thoughts of the pov character. It was just out-and-out author intrusion, which took me out of the story for a brief moment. I hate to be yanked out of a book like that.

In the author’s defense, weaving the technical stuff into a story isn’t easy. I was proud when a reviewer of my first book, Truth-Teller Rebellion, complimented me on the way I let the setting and Truth-teller world come out in the story, rather than giving it as a data dump.

I’ve found this even more challenging in Magellan’s Navigator, my historical fiction that is nearing completion. I believe a reader of Magellan’s Navigator will want to read about how sailing ships of the time worked and the circumnavigation of the world. I wanted to get that information into the story without slowing it down too much and without obvious author intrusion. It isn’t easy to do that. In the final analysis, that information isn’t the story, which is of the man, Francisco Albo, who piloted the one ship that made it around the world. The book is out with beta readers now. I hope they think I got the balance of story and historic content right.

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The Edit Of Magellan’s Navigator Is Done; One More Round And Then Off To Beta Readers

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Editing is a necessary thing, but not something I enjoy. Just got through Magellan’s Navigator. It is now in pretty good shape. One more time through, and then it’s off to beta readers.

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Stormlight Archive: What I Like About It and What I Want To Emulate


I recently finished Brandon Sanderson’s The Way of Kings and Words of Radiance, the first two books in his planned Stormlight Archive series. Both are thousand plus page books.

The books are an excellent, multi-faceted fantasy with engaging characters and an imaginative world. This isn’t a retread of orcs and elves, but an entirely original world. Most the story revolves around an enslaved warrior, a middle-aged battle-weary prince, and an ambitious young female scholar. In the first book, magic doesn’t seem common in the world, although mysteries abound in the world. In a masterful way, Sanderson slowly reveals the world’s truths to the characters and the reader, although beware, everything revealed may not be indeed be the truth. He does a great job. I found myself identifying with all three major protagonists.

Things I liked are the story’s originality, empathetic characters, and the twists and turns of character reveals. This story is huge and multi-layered. I haven’t figured out how everything fits together, but I will trust the author that it does. I like the way most, if not all, the baddies aren’t out and out evil like the Dark Lord of Mordor. The villains are generally doing what they think is right, although that may not be apparent at the first.

Things that could be improved: there was surprising number typos in the first book. Some people complain about typos in self-published works. Well this book is the product of a major publisher. The second book has far less typos. These books are not page-turners. Sanderson slowly develops things, and as a reader, I relaxed and enjoyed that. That said, enough is enough at times, and one or two hundred pages could be sliced out each book without hurting the story (you can skim without hurting the reading experience.) Occasional scenes don’t seem to ring true, but hey, there are many scenes and another person might have a different opinion.

One takeaway for me as a writer is that I especially liked Sanderson’s slow reveal of his world and characters’ backstories. I’ve always regretted revealing the circumstances of Adam’s sister’s death as early as I did in Download. Originally, it was much later in the novel, but I moved it up after a beta reader said he wanted to know it NOW. Well, maybe he did want to know it now, but that didn’t mean I should have given it to him now.

On the other hand, I did find annoying Sanderson using entire chapters of “five years earlier.” I cringed when I saw that in a chapter heading, and prefer having the backstory weaved into the here and now story.

 

 

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To Outline or to not Outline, That is the Question

I just returned from a “traveling light” vacation with my wife, which meant no laptop. No laptop meant no writing, which was a good thing. It forced me into some serious thinking about “my next science fiction novel.”

One decision made was a working title, as “my next science fiction novel” is a bit wordy. I’ve decided on Mindfield. Many thanks to our friend Pam for suggesting it. (Pam is the daughter of Krin, the namesake of the empathetic co-protagonist of my Truth-Teller books.)

I’m excited about Mindfield’s concept and storyline. If the written product is anything like what’s in my head right now, I should have a winner.

I want to write this novel more efficiently. Some authors might sneer at that concept. I’ll agree a purely character driven novel probably can’t be written efficiently. On the other hand, I believe most successful authors of plot driven book thrillers do a detailed outline. Most novels lie somewhere in between these two extremes. Mindfield will have a strong protagonist, who’ll experience serious change during the course of the book, but it will also have a twisty-turny plot.

I’ve always done a rough outline, followed by a first draft. That was fun, but then things got messy. I’d add or delete characters. I’d change plot points. These resulted in tedious rewrites that took time and weren’t fun. All those changes made it easy for me to miss the renaming of a city or a character. That meant more typos to catch, and I hate typos.

I believe that having a more detailed outline should produce a better result with less angst and effort. That outline includes decisions on point of view, characters, protagonist and antagonist, and story arc. I’ll be sharing these over the next few weeks.

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