Tag Archives: The Invisible Life of Addie Larue

More Thoughts on The Invisible Life of Addie Larue

Upon publishing my review of The Invisible Life of Addie Larue, I checked out the other reviews on Goodreads. There are lots of good reviews, but I was surprised to see some readers had rated it extremely low. Fortunately, they also wrote lengthy essays justifying doing so. I understand that not all books are for all people, nonetheless I believe these reviewers are misguided in their opinions.

The issues brought up seem to center on the following:

               The book has no plot and is repetitive, at least until the end.

               Addie lived for over three hundred years through fascinating historical times, yet the narrative barely reflects these.

               There is only one person of color mentioned in the book.

Books generally have a plot and character development, but these characteristics will vary in their emphasis from book to book. For example, the James Bond books and DaVinci Code books have vigorous plots, yet James Bond and Langston are basically the same person at the end of the book as they were at the beginning. The Harry Potter and Game of Thrones books have both intricate plots and strong character development, at least for their younger protagonists. Books that predominantly focus character development over plot are somewhat rarer, but V.E. Schwab’s book is a prototypical example of one. It should be noted that this book does have a strong plot in regards to Addie’s relationship with the old god, which changes in interesting ways over the decades.

The book is somewhat repetitive, because Addie’s life was repetitive. Due to her condition of invisibility, she was consigned to a life on the fringe on society. How do you live without have meaningful, contractual relations with other people? She managed, but mostly through theft, artifice, and, to a degree, sex. The book explores how she managed to do so better over time, giving her a more meaningful, yet still stunted life.

Yes, this book could have delved into the historical eras through which Addie lived. It was the author’s choice to not do so other than in a passing way, and, in my opinion, she made the correct choice. Delving into historical subplots would have been a distraction from the prime focus of the story: how does one survive if you are effectively invisible. Also, being that Addie operated on the fringe of society, she wasn’t generally well positioned to observe many historical events. Lastly, as to their only being one person of color, for most of Addie’s life she lived in places without many people of color. I don’t believe a book should be penalized for this. I will soon review a book, The Personal Librarian, that deals extensively and predominately with issues of people of color. There is room enough for both books to happily coexist in this world.

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An Enchanting Read: The Invisible Life of Addie Larue by V.E. Schwab

I’ve been reading more books lately, including the excellent The Invisible Life of Addie Larue, but I’ve also been writing less since the completion of Drake’s Botanist. One reason was for this is that with Covid becoming less virulent, my wife and I are willing to travel. Our first big trip, as posted in this blog last year, was to Spain and Portugal. This was a special treat as I was able to visit locales of scenes in Magellan’s Navigator and a not-yet-published sequel to Drake’s Botanist. More recently we sailed from Sydney, Australia to Seattle, Washington, via New Zealand (I love the place), Tahiti (a tropic beauty), and Honolulu (I climbed Diamond Head!). Next up is a planned cruise in the Mediterranean where we will visit many locales of The King’s Galley and The Sultan’s Galley.

The Invisible Life of Addie Larue is a favorite of my more recent reads. Its premise has an original aspect, the protagonist Addie Larue is sympathetic, there are intriguing twists to the story, and the prose is excellent. The basic premise of this magical realism book is an old one. Addie Larue sells her soul to the Devil, or a devil, or an old god, or maybe simply a magical being. It never is clear. From this initial start, the story is all original.

Addie is a uniquely independent French girl, born 1691 in the provincial town of Villon-sur-Sarthe. She yearns for more than a life of bearing children and married subservience. She eludes that fate for some years, until it is decided she must be wed. On the wedding day she runs. About to be caught she meets a man, or an old god. She pleads with him, “I want a chance to live. I want to be free…I want more time.” He asks “How long?” She doesn’t know. He becomes frustrated, and explains that he deals in souls. He will wait for her soul, but not forever. She tells him, “…take my life when I am done with it. You can have my soul when I don’t want it anymore.” This is a deal the old god will do. Addie accepts, not realizing the old god has rigged the game in his favor. No one will ever remember Addie. She can knock on a door and have a conversation, but when the door closes and reopens, the person has no recollection of her. Even her mother and father don’t remember her being their daughter.

This would make life impossible for most people, but Addie persists and finds a way to manage over the years without going insane. She seems to be immortal. I found it fascinating how she forges a life for herself. Periodically the old god visits her, hoping to take her soul. Their changing relationship over the centuries is an interesting subplot of the book. Finally, in New York in the present, she meets a man who remembers her. That leads to the climax of the book, although not necessarily the end of Addie’s story. Or maybe it is the end of her story. I don’t want to spoil the finale for you. Once I always finished a book once I started it. Now, I finish a minority of the books I start. I am a tough grader of books, but on a scale of one to five, I give this book a six.

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